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Enriqueta Vasquez And the Chicano Movement Writings from El Grito Del Norte (Hispanic Civil Rights) John Nichols?Enriqueta Vasquez?Lorena Oropeza?Dionne Espinoza? Research in Urban Policy A Research Annual Politics of Policy Innovation in Chicago (Research in Urban Policy) Kenneth K. Wong?Terry Nichols Clark? Against the Beast A Documentary History Of American Opposition to Empire John Nichols? Measuring and Monitoring Biological Diversity Standard Methods for Mammals (Biological Diversity Handbook Series) Don E. Wilson?F. Russell Cole?James D. NicholsRasanayagam Rudran?Mercedes S. Foster? Measuring and Monitoring Biological Diversity Standard Methods for Mammals (Biological Diversity Handbook Series) Don E. Wilson?F. Russell Cole?James D. NicholsRasanayagam Rudran?Mercedes S. Foster? The Archaeology of City-States Cross-Cultural Approaches (Smithsonian Series in Archaeological Inquiry) Deborah L. Nichols?Thomas H. Charlton? New Riders' Guide to Modems/Book and Disk Esther Schindler?Steven Vaughan-Nichols? Inside the World Wide Web (Inside) Steven Vaughan-Nichols?Stevens J. Vaughan-Nichols? Learning Html 4.0 Curt Robbins?Susan Alcorn?Amy Towery?Holly Nichols?Bill Vitucci? PC Learning Labs Teaches 1-2-3 Release 2.3 Logical Operations/Book and Disk (P C Learning Labs) Richard Scott?Robert Nichols Kulik? PC Learning Labs Teaches Cc Mail Logical Operations Robert Nichols Kulik?Gail Sandler?Brendan Fletcher? PC Learning Labs Teaches Wordperfect 6.1 for Windows/Book and Disk (P C Learning Labs) Robert Nichols Kulik?Adam A. Wilcox?Logical Operations Inc.? PC Learning Labs Teaches Microsoft Project 4.0 for Windows Logical Operations/Book and Disk (P C Learning Labs) Adam A. Wilcox?Robert Nichols Kulik? PC Learning Labs Teaches Visual Foxpro 3.0/Book and Disk (P C Learning Labs) Susan L. Reber?Robert Nichols Kulik?Logical Operations Inc.? PC Learning Labs Teaches Word for Windows 95 Robert Nichols Kulik? PC Learning Labs Teaches Microsoft Access for Windows 95 Julie Nichols Kulik? Microsoft Frontpage Quickstart (Quickstart) Bob Conway?Logical Operations?Robert Nichols Kulik?Logical Operations Inc.? Movies And Methods Bill Nichols? Movies and Methods An Anthology Bill Nichols? Movies and Methods An Anthology (Movies Methods) Bill Nichols? Linguistics Johanna Nichols Maya Deren and the American Avant-Garde Bill Nichols?Maya Deren? Maya Deren and the American Avant-Garde Bill Nichols?Maya Deren? The Harlequin Years Music in Paris, 1917-1929 Roger Nichols? The Fire Collected Essays of Robin Blaser Robin Blaser?Miriam Nichols? The Holy Forest Collected Poems of Robin Blaser Robin Blaser?Miriam Nichols? Sound Symbolism Leanne Hinton?Johanna NicholsJohn J. Ohala? Gabriel Faure A Musical Life Jean-Michel Nectoux?Roger Nichols? Claude Debussy, Pelleas Et Melisande (Cambridge Opera Handbooks) Roger Nichols?Richard Langham Smith? Claude Debussy Pelleas Et Melisande (Cambridge Opera Handbooks) Roger Nichols?Richard Langham Smith? Sound Symbolism Johanna NicholsLeanne Hinton?John J. Ohala? The Life of Debussy (Musical Lives, 4) Roger Nichols? The Life of Debussy (Musical Lives) Roger Nichols? Gabriel Faure A Musical Life Jean-Michel Nectoux?Roger Nichols? Financing Elections David Nichols? The Knightsbridge Girl Joke Book Sir Beauchamp Place?Peter Nichols?Harvey Jones? On Yankee Station The Naval Air War over Vietnam John B. Nichols?Tillman Barrett? "Gardeners' World" Flower of the Moment (Gardeners' World) Colette Foster?Alan Titchmarsh?Jonathan Buckley?Jerry Harpur?Clive Nichols A Guide to Hospital Security J.E. Nichols? The Service of Glory The Catechism of the Catholic Church on Worship, Ethics, Spirituality Aidan Nichols? The Word Has Been Abroad A Guide Through Balthasar's Aesthetics (Introduction to Hans Urs Von Balthasar) Aidan Nichols? Christendom Awake On Re-Energising the Church in Culture Aidan Nichols? Say It Is Pentecost Balthasar's Logic A Guide Through Balthasar's Logic (Introduction to Hans Urs Von Balthasar) Aidan Nichols Op? A Grammar of Consent Aidan Nichols? Byzantine Gospel Maximus the Confessor in Modern Scholarship Aidan Nichols? The Shape of Catholic Theology Aidan Nichols? Rome and the Eastern Churches Aidan Nichols? Day in the Death of Joe Egg Peter Nichols? The National Health, or Nurse Norton's Affair (Faber Plays) Peter Nichols? Forget-me-not Lane Peter Nichols? Chez Nous Peter Nichols? The Freeway Peter Nichols? Privates on Parade Peter Nichols? Born in the Gardens Peter Nichols? The Pope's Divisions Peter Nichols? Stagecoach Dudley Nichols? Selected Letters Claude Debussy?Roger Nichols?R. Nichols? Selected Letters of Berlioz Hector Berlioz?Roger Nichols? Ravel Remembered (Composers Remembered Series) Roger Nichols? Debussy Remembered (Composers Remembered Series) Roger Nichols? Debussy Remembered (Composers Remembered Series) Roger Nichols? Conversations With Madeleine Milhaud Roger Nichols? Mendelssohn Remembered Roger Nichols? Mendelssohn Remembered (Nick Ward Plays) Roger Nichols? A Day in the Death of Joe Egg (Acting Edition) Peter Nichols? Chez Nous (Acting Edition) Peter Nichols? Poppy (Acting Edition) Peter Nichols? Born in the Gardens (Acting Edition) Peter Nichols? Privates on Parade Peter Nichols? A Day and the Death of Joe Egg Peter Nichols? Quartet of Poems (Modern Women Writers) Grace Nichols?Maya Angelou?Alice Walker?Lorna Goodison? Modern History (A-Level Study Guide) Hermione Baines?Richard Davies?Andrew Hall?Philip Nichols?Mark Seymour? American Blood (Paladin Books) John Nichols? Brain-Boosting Math Activities - More Than 50 Great Activities That Reinforce Problem-Solving and Essential Math Skills Grade 6 (Professional Book) Professional Books?Jennifer Nichols? Meet the Stars of Dawson's Creek Angie Nichols? Bodyfueling Stop Watching Your Weight, Start Fueling Your Life Kaaren, M.D. Nichols?Robyn Landis? Deargod Mysterious.Ways Richard Nichols? What I Didn't Know Could Fill a Book A Ceo Dad Shares the Life Lessons He Wishes He'd Learned Earlier Carl W. Nichols? Where Words Leave Off Music Begins Janet Nichols Lynch? The Reunion Tim Nichols? ...sheer Drapes on My Windows A Collection of Writings And Poems Joni Nichols? 15 Minutes at a Time A View from Inside the Box Matt Nichols? Sheer Drapes on My Windows... A Collection of Writings and Poems Joni Nichols? CLASSIC AMERICAN CARS RICHARD NICHOLS? Classic Automobiles Richard Nichols? Hamlyn All Colour Barbecues and Summer Food (Hamlyn All Colour Cookbooks) Annie Nichols New Hamlyn Barbecues (Hamlyn New Cookery) Annie Nichols Readings in American Government Mary P. Nichols? Great Containers Making - Decorating - Planting Clare MatthewsClive Nichols How Does Your Garden Grow? Great Gardening For Green-Fingered Kids (Hamlyn Gardening) Clare MatthewsClive Nichols Easy Outdoor Living 40 Great Projects for You And Your Garden Clare MatthewsClive Nichols Doug and the End of the World Dennis Garvey?Tommy Nichols?William Presing?Vinh Truong?Sophie Kittredge? Romantic Natural Histories from Erasmus Darwin to Charles (New Riverside Editions) Ashton Nichols?William Wordsworth?Charles Darwin? Sedimentology and Stratigraphy Gary Nichols? Singing! Basic Vocal Technique Penny Nichols? The Worshiping Life Meditations On The Order Of Worship Lisa Nichols Hickman? Renewing the Vision Daily Readings for Peacemakers Sue Nichols Spencer? Classic Cars (#06811) Richard Nichols? Muscle Cars Richard Nichols? Exotic Cars/09316 Richard Nichols? The House of Thunder Leigh Nichols? Twilight Leigh Nichols? Key to Midnight Leigh Nichols? For the Love of Mike Silhouette Inspirations No. 18 Charlotte Nichols? Turning Forty in the Eighties Personal Crisis, Time for Change Michael P. Nichols? Ernie's War The Best of Ernie Pyle's World War II Dispatches David Nichols? The Power of the Family Mastering the Hidden Dance of Family Relationships Michael P. Nichols? No Place to Hide Facing Shame So We Can Find Self-Respect Michael P. Nichols? No Place to Hide Facing Shame So We Can Find Self-Respect Michael P. Nichols? Breaking Faith Featuring Nason Nichols, P.I Maynard F. Thomson? Family Healing Strategies for Hope and Understanding Salvador Minuchin?Michael P. Nichols? Z-80 Microprocessor Programming and Interfacing Elizabeth A. Nichols? Z-80 Microprocessor Programming and Interfacing Elizabeth A, etc. Nichols? Z-80 Microprocessor Advanced Interfacing with Applications in Data Communications Joseph C, etc. Nichols? Northern Woodland Indians (Ancient and Living Cultures Stencils) Mira Bartok?Linda Foss Nichols? Cut, Color, and Paste Jane Nichols? Human Gene Therapy Eve K. Nichols? Human Gene Therapy Eve K. Nichols? Minor Lives John Nichols? Mobilizing Against AIDS Eve K. Nichols? Mobilizing Against AIDS Eve K. Nichols? Beyond Uhura Star Trek and Other Memories Nichelle Nichols? Ernie's America The Best of Ernie Pyle's 1930's Travel Dispatches David Nichols? Clinical Problems, Injuries and Complications of Gynaecologic Surgery David H Nichols?George W Anderson? Clinical Problems, Injuries and Complications of Gynaecologic Surgery David H. Nichols?George W. Anderson? Clinical Problems, Injuries and Complications of Gynecologic and Obstetric Surgery David H. Nichols?John O. L. Delancey? Textbook of Pediatric Intensive Care Mark C. Rogers?David G. Nichols The Best of Field Stream 100 Years of Great Writing Field & Stream?J. I. Merritt?Margaret G. Nichols? Doing the Gospel Local Congregation in Ministry Roy C. Nichols? Footsteps in the Sea Roy C. Nichols? Casey Wooster's Pet Care Service Janet Nichols? Song of the Pearl Ruth Nichols? The Left-Handed Spirit Ruth Nichols? Out of the Blue Delight Comes into Our Lives Mark Victor Hansen?Barbara Nichols?Patty Hansen? Handyman Linda Nichols?Katherine Borowitz? Treason, Tradition and the Intellectual Julien Benda and Political Discourse Ray L. Nichols? The J.C. Nichols Chronicle The Authorized Story of the Man, His Company, and His Legacy, 1880-1994 Robert Pearson?Brad Pearson? The Skills of Communicating (Management Skills Library) Bill P. Scott? Foliage for Year Round Colour Jane Taylor?Clive Nichols Small Gardens With Style Jill Billington?Clive Nichols Beds and Borders for Year Round Colour (Year Round Colour Series) Jill Cowley?Clive Nichols Foliage for Year Round Colour Jane Taylor?Clive Nichols The Summer Garden Jill Billington?Clive Nichols Small Gardens With Style Jill Billington?Clive Nichols The Summer Garden Jill Billington?Clive Nichols Beds and Borders for Year Round Colour Jill Cowley?Clive Nichols Clearmountain (Rainbow Romance) Jessie Nichols? Homeopathy and the Medical Profession Philip Nichols? Poetry of Ben Jonson J G Nichols? Living with Capitalism Theo NicholsHuw Beynon? Herb Garden Design (The Garden Bookshelf) Ethne Clarke?Clive Nichols Herb Garden Design Ethne Clarke?Clive Nichols The Natural Gardener Val Bourne?Clive Nichols I Do H.J. Eysenck?Betty Nichols Kelly? McDonald's Blood Flow in Arteries Wilmer W. Nichols? Come on into My Tropical Garden Grace Nichols?Caroline Binch? Give Yourself a Hug (Messages) Grace Nichols?Kim Harley? Paint Me a Poem Grace Nichols? Everybody Got a Gift Grace Nichols? Everybody Got a Gift Grace Nichols? Anatomy of Inspiration Rosamond E. M. Harding?Robert B. M. Nichols? Photographing Plants Gardens Clive Nichols Leaf, Bark and Berry Ethne Clarke?Clive Nichols Photographing Plants Gardens Clive Nichols Gardening with Foliage, Form and Texture Ethne Clarke?Clive Nichols Food Drying at Home Naomi Nichols? Disabled Philip Nichols? Simply Scrumptious Microwaving M.A.F. Robinson?Rosemary Dunn Stancil?Lorela Nichols Wilkins? Simply Scrumptious Microwaving M.A.F. Robinson?Rosemary Dunn Stancil?Lorela Nichols Wilkins? The Sociology of Industrial Injury (Employment and Work Relations in Context Series) Theo Nichols Work and Occupation in Modern Turkey (Employment and Work Relations in Context.) Erol KahveciNadir Sugur?Theo Nichols Childbirth Education Practice, Research, and Theory Francine H. Nichols?Sharron Smith Humenick? Maternal-newborn Nursing Francine H., PhD RNC FACCE Nichols?Elaine, RN PhD FACCE Zwelling? Study Guide for Nichols and Zwelling Maternal-Newborn Nursing Theory and Practice Nichols Maternal-Newborn Nursing Theory and Practice Elaine Zwelling?Francine H. Nichols? Maternal-newborn Nursing, Text And Study Guide Package Elaine Zwelling?Francine H. Nichols? Childbirth Education Practice, Research, and Theory Francine H. Nichols?Sharron Smith Humenick? Light from the East A. Nichols? Light from the East Authors and Themes in Orthodox Theology (Stagbooks) Aidan Nichols? Scribe of the Kingdom Aldan Nichols? Dreamweaver Mx Magic (Landmark) Josh Cavalier?Linda Rathgeber?David Nichols?Joyce J. Evans?Donna Casey?Jason Cranford Teague?Van Note Zac?Alwyn Joy?Matthew David?Sean Nicholson? Dance About Anything Marty Sprague?Helene Scheff?Susan McGreevy-Nichols?Mcgreevy-nichols? Building Dances A Guide To Putting Movements Together Susan McGreevy-Nichols?Helene Scheff?Marty Sprague? Experiencing Dance From Student to Dance Artist Helene Scheff?Marty Sprague?Susan McGreevy-Nichols? Sea Change Alone Across the Atlantic in a Wooden Boat Peter Nichols?Barrett Whitener? Five-star Living on a Two-star Budget Margaret Feinberg?Natalie Nichols Gillespie? Hampton, Virginia (Black America) Colita Nichols Fairfax? The Seabees at Port Hueneme (Images of America) Gina Nichols? Richmond Heights 1868-1940 (MO) (Images of America (Arcadia Publishing)) Joellen Gamp Mcdonald?Ruth Nichols Keenoy? Ashland The Henry Clay Estate (Images of America (Arcadia Publishing)) Rhonda Hornback Nichols?Eric Brooks? No Magic Wands Beverly S. Nichols? No Magic Wands Beverly S. Nichols? Sport Climbing (Extreme Sports (Austin, Tex.).) John Nichols? Street Luge (Extreme Sports (Austin, Tex.).) John Nichols? Night Stalker of Vietnam Henry Nichols? God's Prosperity Plan Rod Nichols?Tim Johnson? Shadow Boxer A Billy Nichols Novel (Billy Nichols Crime Novels) Eddie Muller? A Caribbean Dozen John Agard?Grace Nichols?Cathie Felstead? Under the Moon and Over the Sea John Agard?Grace Nichols?Cathie Felstead?Jane Ray?Christopher Corr? A Caribbean Dozen John Agard?Grace Nichols?Cathie Felstead? From Mouth to Mouth John Agard?Grace Nichols?Annabel Wright? Under the Moon and Over the Sea John Agard?Grace Nichols?Cathie Felstead? David Penman Alan Nichols? Grace Nichols (Writers Their Work) Sarah Lawson Welsh? What Dangers Deep Ruth Nichols? What Dangers Deep Ruth Nichols? The Poet Cat Grace Nichols?Bee Willey? The Poet Cat Grace Nichols?Bee Willey? The Staff Development Handbook An Action Guide for Managers and Supervisors (Capital Market Series) Peter R. Sheal? Activities in Self-Instructional Texts (Open and Distance Learning) Fred Lockwood? How to Organize Effective Conferences and Meetings David Seekings? Role Plays A Sourcebook of Activities for Trainers (Training Activities) David Turner? Problem Solving and Decision Making (Fast Track Mba Series) Graham Wilson? Preparing a Business Plan (One Day Workshop) Harbridge Cons. Group? Creating Customer Loyalty (Management Action Guides) Manchester Open Learning? Handling Conflict and Negotiation (Management Action) Manchester Open Learning? Managing People and Employee Relations (Management Action Guides) Manchester Open Learning? Achieving Goals Through Teamwork (Management Action Guides) Manchester Open Learning? Planning and Managing Change (Management Action Guides) Manchester Open Learning? Organisational Behaviour and Design (The Fast Track Mba) Barry Cushway?Derek Lodge? Teach Yourself With Open Learning Derek Rowntree? Accounting for Managers (Fast Track MBA) Graham Mott? Beyond Uhura Nichelle Nichols? Beyond Uhura Nichelle Nichols? Beyond Uhura Nichelle Nichols? The Poacher's Daughter Mary Nichols? The Paladin (Whiteblade Saga) Adam Nichols Intimate Kill Margaret Yorke?Trevor Nichols? KaNgwane Peter Nichols? Henri Dutilleux - Music - Mystery and Memory Conversations With Claude Glayman Henri Dutilleux?Claude Glayman?Roger Nichols? Others and Outcasts in Early Modern Europe Picturing the Social Margins Tom Nichols? Redeeming Beauty (Ashgate Studies in Theolgy, Imagination the Arts) Aidan Nichols? Redeeming Beauty (Ashgate Studies in Theolgy, Imagination the Arts) Aidan Nichols? Chicken Soup for the African American Soul Celebrating and Sharing Our Culture One Story at a Time (Chicken Soup for the Soul) Mark Victor Hansen?Lisa A. Nichols?Tom Joyner?Jack Canfield? Chicken Soup for the African American Woman's Soul Laughter, Love And Memories To Honor The Legacy Of Sisterhood (Chicken Soup for the Soul) Jack Canfield?Mark Victor Hansen?Lisa Nichols? Chicken Soup for the Teenage Soul The Real Deal on Girl Stuff (Chicken Soup for the Teenage Soul the Real Deal) Jack Canfield?Mark Victor Hansen?Lisa Nichols? Chilton's Guide to Fuel Injection and Electronic Engine Controls, 1988-90 The Feathered Shield Huey E. Nichols? Why James W. Nichols? It's the Wind (We Can Read About Nature) Catherine Nichols? Water All Around (We Can Read About Nature) Catherine Nichols? A Dry Place (We Can Read About Nature) Catherine Nichols? In the Rain Forest (We Can Read About Nature) Catherine Nichols? One Big Ocean (We Can Read About Nature) Catherine Nichols? Wetlands (We Can Read About Nature) Catherine Nichols? Grassy Lands (We Can Read About Nature) Catherine Nichols? Four Contemporary Plays by Lee Yun-Taek Translated by Dongwook Kim and Richard Nichols, with Introductions by Richard Nichols Dongwook Kim? Citizen Responsive Government (Research in Urban Policy) Keith Hoggart?Terry Nichols Clark? Community and Ecology Dynamics of Place, Sustainability, and Politics (Research in Urban Policy) Aaron M. McCright?Terry Nichols Clark? Prayers from Mom's Heart (Running Press Miniature Editions (Hardcover)) Fern Nichols? Signpost Guide Loire Valley Your Guide to Great Drives Andrew Sanger?Fiona Nichols?Gillian Thomas?John Harrison? Falconguide Hiking With Kids Taking Those First Steps With Young Hikers (Hiking with Kids) Robin Tawney Nichols? Asana and the Animals A Book of Pet Poems Grace Nichols?Sarah Adams? Under the Moon over the Sea A Collection of Caribbean Poems John Agard?Grace Nichols?Christopher Corr?Cathie Felstead? In Search of Eden Linda Nichols? Not a Sparrow Falls Linda Nichols? If I Gained the World Linda Nichols? At The Scent Of Water Linda Nichols? Not a Sparrow Falls Linda Nichols? Not a Sparrow Falls Linda Nichols? If I Gained the World Linda Nichols? At The Scent Of Water Linda Nichols? At The Scent Of Water Linda Nichols? Head Vases, Etc The Artistry of Betty Lou Nichols (Schiffer Book for Collectors) Maddy Gordon? Linux Database Bible (Bible (Wiley)) Michele Petrovsky?Stephen Wysham?Mojo Nichols? Lau V. Nichols Bilingual Education in Public Schools (Landmark Supreme Court Cases) Stephanie Sammartino McPherson? Esoteric Anthropology (1873) Terence L. Nichols? Business Guide or Safe Methods of Business 1921 James L. Nichols?L. H. Seager? Business Guide An Outline of Business James L. Nichols?Louis Paeth? "Identity" in the Poetry of Grace Nichols and Lorna Goodison (Salzburg Studies in English Literature. Poetic Drama Poetic Theory, 87.) Gudrun Webhofer? Prison Of My Own A True Story Of Redemption Forgiveness Diane Nichols? Clinical Pharmacology and Nursing Management Laurel A. Eisenhauer?Lynn Wemett Nichols?Roberta Todd Spencer?Frances West Bergan? Sandra Nichols Found Dead George V. Higgins? Not A Sparrow Falls Linda Nichols?Marguerite Gavin? Not A Sparrow Falls Linda Nichols?Marguerite Gavin? Handyman (Thorndike Press Large Print Americana Series) Linda Nichols? The Other Malcolm-Shorty Jarvis His Memoir Malcolm L., Jr. Jarvis?Paul D. Nichols?Elizabeth Jarvis?Cornel West? Guerrilla Warfare in Civil War Missouri, 1862 (Guerrilla Warfare in Civil War Missouri) Bruce Nichols? Guerilla Warfare in Civil War Missouri 1863 (Guerrilla Warfare in Civil War Missouri) Bruce Nichols? Voyage to the North Star Peter Nichols? Voyage to the North Star A Novel Peter Nichols? Doug and the End of the World (Disney's Doug Chronicles) Dennis Garvey?Tom Nichols?Jim Jinkins?Erin McCormack?William Presing?Vinh Truong?Sophie Kittredge? Invasion of the Judy Snatchers (Disney's Doug the Funnie Mysteries) Dennis Garvey?Tommy Nichols?Bill Presing? Readings in American Government Mary P. Nichols?David K. Nichols? Transforming Fundraising A Practical Guide to Evaluating and Strengthening Fundraising to Grow With Change (Jossey-Bass Nonprofit and Public Management Series) Judith E. Nichols? Demystifying Grant seeking What You Really Need to Do to Get Grants (Jossey-Bass Nonprofit and Public Management Series) Judith E. Nichols?Larissa Golden Brown?Martin John Brown? The Most Extreme Bugs (Animal Planet Extreme Animals) Discovery Channel?Catherine Nichols? Basic Techniques of Psychodynamic Psychotherapy Michael Nichols?Thomas J. Paolino? Prairie Primer Stan Nichols?Lynn Entine?Evelyn Howell? Christianity and the Stranger Historical Essays (South Florida-Rochester-Saint Louis Studies on Religion and the Social Order, Vol 12) Francis W. Nichols? Family Therapy Around the World A Festschrift for Florence W. Kaslow William C. Nichols?Florence Whiteman Kaslow? Family Therapy Around The World A Festschrift For Florence W. Kaslow William C. Nichols?Florence Whiteman Kaslow? Gardening With Foliage Plants Leaf, Bark, and Berry Ethne Clarke?Clive Nichols Todo nino necesita una mama que ora/Every Child Needs a Praying Mom Fern Nichols? The Last Place On Earth (National Geographic) Michael Nichols? The Year of the Tiger (National Geographic) Michael Nichols?Geoffrey C. Ward? Corvette Richard Nichols? Treasury Securities Making Money With Uncle Sam Donald R. Nichols? The Income Investor Choosing Investments That Pay Cash Today and Tomorrow Donald R. Nichols? The Personal Investor's Complete Book of Bonds Donald R. Nichols?
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Yellow Fever A Deadly Disease Poised to Kill Again Prometheus Books? James L. Dickerson? PrometheusBooks? JamesL.Dickerson? ジャンル別-mirror-test-test-subtier-Communicable? Subjects-Health,Mind&Body-Disorders&Diseases-General? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-Diseases-Communicable? Subjects-Medicine-Specialties-PreventiveMedicine? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-InfectiousDisease-CommunicableDiseases? Subjects-Science-General Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Diseases-Communicable? Subjects-Science-Medicine-Specialties-PreventiveMedicine? The Stem Cell Controversy Debating the Issues (Contemporary Issue Series) Prometheus Books? Michael Ruse? Christopher A. Pynes? PrometheusBooks? MichaelRuse? ChristopherA.Pynes? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Health,Mind&Body-General? 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しんぐあんどすまいる [ TAG Alp-S E-Q Miku Re nG title] Music Re nG/Re nG Lyric Re nG/Re nG Arrange Re nG/Re nG Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm1697854 http //www.nicovideo.jp/watch/sm1697854 Translations ■ Show/Hide Romaji saa utai nagara ikou anata no egao ga dareka wo kitto shiawase ni suru yo sekai wa kaerareru yo chiisaku sasai na ai no mahoo de aa kyoo mo kurikaesu taikutsu na mainichi tameiki wo tsuite kyoo mo sugosu tsumori? nn tenki mo iishi iikoto aru kamo yo saa genki wo dashite ikou shobokure tetemo kawaranai yo totteoki no pawaa (power) wo ageru! saa utai nagara ikou anata no egao ga dareka wo kitto shiawase ni suru yo sekai wa kaerareru yo chiisaku sasai na ai no mahoo de aa kyoo mo surechigau daisuki na ano ko omotte bakari de asu mo sugosu tsumori? nn kotoba de nakucha tsutawaranai kamo yo saa yuuki wo dashite ikou shiranai koto wa takusan aru yo motto motto dokidoki sasete! saa warai nagara ikou chotto hekomu koto ga attemo sore wa tsugi eno suteppu (step) bokura ga kaetekun da wazuka na hon-no ippo zutsu dakedo saa te wo toriatte ikou nanika ni tsumazuita to shite mo dareka ga sasaete kureru yo bokura wa susundeku yo saa utai nagara ikou anata no egao ga dareka wo kitto shiawase ni suru yo sekai wa kaerareru yo chiisaku sasai na ai no mahoo de 2009-09-13 Checked by damesukekun 2009-09-13 11 16 Generated automatically [部分編集] ■ Show/Hide Translation SING SMILE 2009-09-13 First Entry 2009-10-19 23 30 46 (Mon) Last update Trasnlated by damesukekun Title SING SMILE Lyric Yeah we are going on singing Your smile, for sure, makes someone happy We can change the world with a bit of small love magic Ah, a boring day comes today, too Are you gonna spend it with sighs again? Hm, it s a fine day, you can meet something joy Yeah keep your spirits in high Nothing changes with blue mind I will share you my best energy! Yeah we are going on singing Your smile, for sure, makes someone happy We can change the world with a bit of small love magic Ah, that lovely girl passes today, too Are you gonna spend tomorrow just thinking of her? Hm, tell your feeling, don t keep it in your heart Yeah take your courage in high There are still many wonders Be more, more hopeful! Yeah we are goning on smiling If you get blue a little, it s another beginning We change the world with a set of one more steps, though Yeah we are goning on hand in hand If you get stumbled at something, someone supports you We are going, going on Yeah we are going on singing Your smile, for sure, makes someone happy We can change the world with a bit of small love magic Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-10-19 23 30 46 (Mon) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/302.html http //nicosound.anyap.info/sound/sm1697854 http //www.nicomimi.com/play/sm1697854 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=diemnZbRf9I [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=diemnZbRf9I (Information in this page is based on HatsuneMiku@Wiki) _
https://w.atwiki.jp/nicoratch/pages/823.html
概要 リアルミキサー機能ありでPC無しのスタンドアロン動作が可能のコントローラー。DJソフト上では4デッキ操作可能、Virtual DJLE 4 decks edition同梱。 スペック表 General Section Product Dual USB Mp3 Player + Mezclador Digital Power Source AC 100-240V, 60/50Hz Power consumption 21 WATTS Dimensions 420mm (W) X 299mm (D) X 90mm (H) Weight 4,42kg Input/Output impedance sensitivity (EQ flat, maximum gain, LOAD=100K OHM) Input impedance and reference input level Line 47K OHM /-14dBV (200mV) +/-0.1dB Phono 47K OHM /-50dBV (3.16mV) +/-0.1dB Mic 10K OHM /-50dBV (3.16mV) +/-0.1dB Output impedance and level Master 1K OHM /0dBV (1V) +/-3dB Master bal. (load=600 ohm) 600 OHM /+4dBm (1.23V) +/-3dB (between hot and cold) Booth 1K OHM /0dBV (1V) +/-3dB Phones (load=32 ohm) 33 OHM /0dBV (1V) +/-2dB Frequency response (EQ flat, maximum gain, Load=100K OHM Line 20 - 20K Hz +/-2dB Phono 20 - 20K Hz +2/-3dB (RIAA) Mic 20 - 20K Hz +2/-3dB THD + N (EQ flat, maximum gain, w/20kHz LPF, a-weighted, Load=100K OHM) Line More than 0,06% @ 1 KHz Phono More than 0,08% @ 1 KHz MIC More than 0,15% @ 1 KHz Maximum input (1 KHz, THD=1%, EQ flat, maximum gain, Load=100K OHM) Line More than +0dBV Phono More than -36dBV Mic More than -36dBV Maximum output (1 KHz, THD=1%, EQ flat, maximum gain, Load=100K OHM) Master More than +15dBV (5.62V) Load=100K OHM Phones More than +4dBV (1.6V) Load=32 OHM S/N ratio (maximum gain, EQ falt, W/20KHz LPF, a-weighted) Line More than 73dB Phono More than 73dB Mic More than 63dB Crosstalk (maximum gain, EQ flat, W/20KHz LPF, a-weighted, master=0dBV output) Line, phono More than 63dB @1KHz between L and R channels Line, phono More than 70dB @1KHz between channels Fader kill (maximum gain, EQ flat, W/20KHz LPF, a-weighted, master=0dBV output) Channel fader More than 70dB AT 1KHz Crossfader More than 70dB AT 1KHz Tone, EQ a) Mic 14 +/-3dB a 100Hz 12 +/-3dB a 10 KHz b) Channel 10 +/-2dB, below -30dB a 70Hz 10 +/-2dB, below -30dB a 1 KHz 10 +/-2dB, below -30dB a 13 Khz c) Channel balance within 2dB d) Talkover -20dB +/- 2d USB host player section (signal format MP3, 128KBPS) Output level 0dBV +/-2dB (TCD782 TRK16, gain maximum, EQ flat) Frequency response 17-16KHz +/-2dB (TCD781 TRK1, 4, 16, set gain to 0dBV out, EQ flat) THD+N Less than 0,08% (TCD782 TRK16, gain maximum, EQ flat, W/20KHz LPF, a-weighted) S/N ratio More than 70dB (TCD782 TRK2, 8, set gain to 0dBV out, EQ flat, W/20KHz LPF, a-weighted) L/R separation More than 63dB AT 1KHz (TCD782 TRK2, 9, 11, set gain to 0dBV out, EQ flat, W/20KHz LPF, a-weighted) Recording Playback (line 1KHz, -14dBV input, gain maximum) OUTPUT 6dBV (2V) +/-2dB THD+N Less than 0,08% (Ggain maximum, W/20KHz LPF, a-weighted) USB Format File System FAT 12/16/32 Applicable extensions mp3. MP3. mP3. Mp3 Max. Number of folders 999 Max. Number of files Max. 999 files MP3 Format MPEG 1 Layer 3 standard (ISO/IEC 11172-3), which provides for single channel (?mono?) and two-channel (?stereo?) coding at sampling rates of 32, 44.1 and 48kHz 32/40/48/56/80/96/112/128/160/192/ 224/256/320 kbps. Xing/VBRI VBR MPEG 2 Layer 3 standard (ISO/IEC 13818-3), which provides for similar coding at sampling rates of 16, 22.05 and 24 kHz 32/40/48/56/64/80/96/112/144/160 Kbps. Xing/VBRI VBR MPEG 2.5 Layer 3 standard, which provides for similar coding at sampling rates of 8, 11.025 and 12 kHz 32/40/48/56/64/80/96/112/144/160 Kbps. Xing/VBRI VBR WAV Format Chunk ID "RIFF" Format "WAVE" Audio Format 16-bit PCM Num Channels Mono/Stereo SampleRate 48000/44100/32000/24000/22050/16000/12000/11025/8000 Includes 1 main unit (Syncron) 1 instruction manual 1 USB lead (PC/MIDI) 1 AC cord 1 Akiyama Driver utility CD 価格 €299.00(新品) Syncron http //www.akiyamadj.com/akiyama+syncron+midi+controller+and+stand+alone.-p-SYNCRON.html?cPath=115_117
https://w.atwiki.jp/vocalive/pages/78.html
LIVEと行事一覧DB データベース (DataBase for Live Concerts and Events) メニューMENU + ←クリック目次 [←Click here for CONTENTS] ↓↓↓このページ名(Current Page Name)↓ 自動作成目次(contents) 行事紹介(Live Concert and Event Information) 【LIVE/海外/Hatsune Miku MIKUNOPOLIS in Los Angeles ミクノポリス USA 2011】 (透過スクリーンとバンド演奏を使用した)初音ミク海外初公演 ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) The first live concert of Hatsune Miku in oversea by using transparency screen system with live band. 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【LIVE/海外/Hatsune Miku MIKUNOPOLIS in Los Angeles ミクノポリス USA 2011】 LIVE/海外/Hatsune Miku MIKUNOPOLIS in Los Angeles ミクノポリス USA 2011 【初音ミク】MIKUNOPOLISダイジェスト映像 http //www.youtube.com/watch?v=WzYssX-CcSY (透過スクリーンとバンド演奏を使用した)初音ミク海外初公演 The first live concert of Hatsune Miku in oversea by using transparency screen system with live band. 2011年7月2日 「MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです Happy to meet you ! I'm HATSUNE MIKU」 主催:MIKUNOPOLIS. 2011、ANIME EXPO 2011 タイトル:MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです Happy to meet you ! I'm HATSUNE MIKU 公式サイト:http //mikunopolis.com/top/ja/ 公式:http //miku.sega.jp/39/ http //miku.sega.jp/39/mikula.html 会場:NOKIAシアター L.A. LIVE(ロサンゼルス) 初音ミクコンサート Hatsune Miku Concert 【Twitter】 : 【Facebook】: MIKUNOPOLIS暫定公式ツイッター: http //twitter.com/miku_la ツイッターハッシュタグ:https //twitter.com/#!/search/miku_la 公式の観覧ツアー(受付は6/13まで) Los Angeles AnimeExpo 2011と初音ミク コンサートに行こう!(株式会社ラテーザ) http //www.lattesa.co.jp/opera-tour.php?id=70 http //www.lattesa.co.jp/uploads/files/lattesa_tour_70_1.pdf?1385948754 米ロサンゼルスで開催される、北米最大級のアニメ関連イベント「ANIME EXPO2011」と、7月2日に同イベントの一部として開催される人気ボーカロイド「初音ミク」のコンサートのプレミアムチケットをセットにしたツアーです。 NOKIAシアター L.A. LIVE NOKIA Theatre L.A. LIVE 777 Chick Hearn Ct Los Angeles, CA 90015 Map https //www.google.co.jp/maps/place/L.A.%E3%83%A9%E3%82%A4%E3%83%96/@34.044429,-118.267074,17z/data=!3m1!4b1!4m2!3m1!1s0x0 0xc71d771bd9c0cf0f?hl=ja Public Transportation http //www.nokiatheatrelalive.com/parking/public-transportation 座席表 Seating map http //www.nokiatheatrelalive.com/seating-map ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) Related Video 【Hatsune Miku "Dream Harmonic - Big Dream" (English) | 2011 Toyota Corolla】 This concert was supported by Toyota USA. http //www.youtube.com/watch?v=E15PE7iGT0U Other Toyota Miku https //www.youtube.com/results?search_query=toyota+miku+hatsune http //vocaloid.wikia.com/wiki/Toyota_Corolla_Campaign http //img2.wikia.nocookie.net/__cb20110627023253/vocaloid/images/4/4d/Illu_Zain_Vocaloid_Hatsune_Miku-Toyota.jpg Hatsune Miku Facebook MIKUNOPOLIS in Los Angels report! vol.1 チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 DVD/BD及びグッズ情報 http //miku.sega.jp/39/mikula.html タイトル:Hatsune Miku Live in LosAngels(The Miku-Fes 2011) ウェブサイト http//mukufes.com/ 会場:NOKIAシアターホール 開催日時:7月2日(開演時間は未定) ライブチケット代金:$15 AX入場チケット$50 チケット予約(英語) https //register.rcsreg.com/r2/anime2011/ga/top.html (公式の観戦ツアーとは別) Ticket Pick Up Line for Mikunopolis - The Early Birds - AX2011 Los Angeles, California http //www.youtube.com/watch?v=rXslHQ0EdCs 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 TECH/日本語/会場設備-EVENT Hall info Hatsune Miku Kagamine Rin Kagamine Len Megurine Luka 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) 投影スクリーンの種類 (Screen Type):ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 スクリーンの素材(Materials for making screen):ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Reflection): YES, red reflection, face 舞台の高さ(stage height):Low? スクリーンの高さ(Screen height): Low スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度):There are significant bending スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?):2 使用された投影ボード等の枚数(Number of board used): 音響設備及び音響状態 (Sound):Very good プロジェクタの種類・台数 (Projector): 使用ソフト (Software): VFエンジン Virtual Fighter engine VF4? wikipedia of Virtual Fighter engine VF4 3Dゲームファンのための「バーチャファイター5」グラフィックス講座 PCベースのアーケードシステムで実現される至極のリアルタイム3Dグラフィックスの秘密 AM2 of SEGA wikipedia 3D model:ACモデル=「アケミク」=「感謝祭モデル」=arcade model (AC Model) Producer of 3D Model:モデル製作:Project DIVA チーム AM2 of SEGA wikipedia Project DIVA wikipedia 初音ミク Project DIVA http //miku.sega.jp/ 初音ミク Project DIVA Arcade http //miku.sega.jp/arcade/index.html スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Motion similar to Project DIVA or related project Computer and OS: リアルタイム レンダリングの有無(real-time rendering or not) レンダリング速度等 60 fps Note from this concert for Project DIVA team, the video motion became smoothly.(ぬるぬる動くようになった模様) フレーム速度 60 fps カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): その他 (others): 衣装モジュール及びデザイン (Clothing design of the models) http //miku.sega.jp/pjd2/module.html 同期システム (Synchronization system): CreativES クリエイティブス株式会社 http //creatives.jp/ 同期投影ライブシステムを考案し、企画・制作を行いました。 現在widewireworks http //widewireworks 大感謝祭 http //widewireworks.jp/works.html#miku01 黒田Pこと黒田貴泰プロデューサー(クリエイティブス株式会社)といえば、 「ミクの日感謝祭」にて「世界でも他に類を見ない「バーチャルアーティストのコンサートライブ」を制作。 同期投影ライブシステムを考案し、企画・制作を行いました」 http //vocaloid.blog120.fc2.com/blog-entry-13651.html 85-862 バンドはイヤホンしてるらしいので歓声もあまり聞こえないらしい。 ライブは自分の音源確認の為にステージモニターにイヤホン使用。 Band staff may using earphone. 選曲 (music selection): 中の人1号、他 MIKUNOPOLIS ミクノポリス Q Aもどき http //kettya.com/backnumber/2011/netalog201107795003.htm 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ MIKUNOPOLIS 2011 in Los Angeles 演奏:The 39s 安部潤(key、P)、黒田晃年(g)、田中晋吾(b)、折田新(ds) ストリングス 武内香澄(vln)、河本夕里安(vln)、惠藤あゆ(vla)、 さいとうひさこ(2ndvln)、今井香織(vcl cello)、上保朋子(2ndvln) アコミク参加 筒井文子(vla)、下山田珠美(cello) 【初音ミク】 "アコミク" 完成音源ダイジェスト【The39s】2011年12月より発売開始 http //www.nicovideo.jp/watch/sm16040410 安部潤blogから各メンバーへのリンクをたどる http //blog.goo.ne.jp/jabe0755/e/fba261ecf49ad4f61c3a4d7e6ef686fb http //blog.goo.ne.jp/jabe0755/e/c35d565f1c0e3ed27b78509f0dac788c http //blog.goo.ne.jp/jabe0755/s/%A5%DF%A5%AF 「MIKUNOPOLIS」出演者や関係者の感想リンクまとめ(雑記) http //sekiseblog.blog51.fc2.com/blog-entry-619.html から各メンバーへのリンクをたどる 折田新(ds) http //blog.goo.ne.jp/shinxdrum/e/8930b03acd91db0e1daa0ad1eda89457?fm=entry_awc 黒田晃年(g) http //akitoshikuroda.me/ 田中晋吾(b) http //homepage2.nifty.com/shingobass/index.html http //shingo.tea-nifty.com/blog/2011/07/la-76c5.html 武内香澄(vln) http //ameblo.jp/pyonnchan/entry-11035588430.html http //ameblo.jp/pyonnchan/entry-10944809273.html 河本夕里安(vln) http //ameblo.jp/yuristrawberry/entry-10945217876.html MIKUNOPOLIS in LOS ANGELES はじめまして、 初音ミクです。 Happy to meet you! I'm HATSUNE MIKU. Artist Hatsune Miku Kagamine Rin, Kagamine Len, Megurine Luka Concert Staff The 39's (The Thanks) Jun Abe (Key/Pf) , Akitoshi Kuroda (G) , Shingo Tanaka (B) , Shin Orita (Dr) Katsuro Uno (Manip) 39's Strings Kasumi Takeuchi, Yuria Kawamoto, Tomoko Joho, Hisako Saito, Ayu Eto, Kaori Imai Producer Hiroshi Utsumi (SEGA) Takayasu Kuroda (CreativES/INTERNET INDEPENDENT) Mitsuyuki Saikawa (TOKYO MX) Creative Producer Makoto Osaki (SEGA) Creative Director Kenshiro Morii (STUDIO MORIKEN) Executive Producer Hiroyuki Itoh (CRYPTON FUTURE MEDIA, Inc.) SEGA STAFF Director Keiichi Matsunami Programmer Hideki Tanaka, Kota Matsumoto, Takeshi Yamanouchi, Akio Saito Script Programmer Yukihito Yagi Designer Kazuya Morita, Shinya Kitagawa, Haruna Ito, Ayumi Tanaka, Michi Shibuya, Atsuo Takayasu, Masatomo Suzuki, Takashi Ito Animator SEGA Toshiya Inoue, Masateru Kawasaki, Sakiko Seki, Hajime Ito, Masayuki Ito, Eisuke Abe, Kazuyuki Watanabe, Tomoyuki Nishiguchi, Sei Koeda, Shinya SHimada, Masaki Yano IMAGICA DIGITALSCAPE Choreographer Keiko Fukushima, yoshiko, Kojiro Ishioka, Kaori Aoki, Shihoko Inamitsu, Arisa Noto, Kuniko Performer Yui Ogura, Kaori Ishihara, Arisa Noto, Kaori Aoki, Shihoko Inamitsu, Kuniko Voice Manipulator Kefir-P, Yunimemo-P Clothes Design Tda, hekopon, sakurau/Alice, KEI, cosMo, nagimiso, OHSE, shari, Onyx Kobayashi, Ichikai Hano, Tomio Clothes Cooperation ATELIER BOZ Director Toshihiro Fukuoka セットリスト(演奏曲目)・その他 (Set List, name of music) セットリスト ミクノポリス セットリスト MIKUNOPOLIS in LOS ANGELES-Live Set List http //mikubook.com/setlist/mikunopolis MIKUNOPOLIS 2011 in Los Angeles -はじめまして 初音ミクです- セットリスト 1.Project Diva desu. 2.ワールドイズマイン 3.えれくとりっくえんじぇぅ 4.恋スルVOC@LOID 5.クローバークラブ(みくずきん) 6.ぽっぴっぽー(ジャー★ジ) 7.ロミオとシンデレラ(ヴィンテージドレス) 8.裏表ラバーズ(英語でメンバー紹介) 9.パズル 10.VOiCE 11.1/6 12.moon(スピリチュアル) 13.初音ミクの消失(∞) 14.右肩の蝶 15.炉心融解(リアクター) 16.Just Be Friend---Thanks LA 17.ワールズエンド・ダンスホール english ver(蝶・華) 18.from Y to Y(ホワイトワンピース) 19.サイハテ(サイハテミク) 20.ファインダー DSLR remix-re edit(パウダー) 21.SPiCa(エンジェル) ここでアンコール連呼 22.愛言葉 23.StargazeR 24.ハジメテノオト Summary in English and other language(英語等での紹介) The first live concert of Hatsune Miku in oversea by using transparency screen system with live band. Happy to meet you ! I'm HATSUNE MIKU」 http //mikunopolis.com/ News and information http //mikunopolis.com/page/en/post/all/news/all/all/all/published/1.html 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) MikuFes09 ミクフェス09 in Tokyo Japan 2009 ミクの日感謝祭2010 39 s Giving Day in Tokyo Japan 2010 ミクの日大感謝祭 ミクパ 東京2012 Hatsune Miku Live Party (Miku-Pa) in Tokyo Japan 2012 ミクの日大感謝祭 最後のミクの日感謝祭2012 Special 39 s Giving Day in Tokyo Japan 2012 ミクの日大感謝祭 2012 Special 39 s Giving Day in Tokyo Japan 2012 ANIME EXPO 2011情報 http //www.anime-expo.org LACC(ロサンゼルス コンベンションセンター)、その他のイベント 7月1日 9 00AM-10 30AM ANIME EXPO2011 オープニングセレモニー 7月1日 2 45PM-3 45PM クリプトンCEO、伊藤社長のキーノートを使ったプレゼン 7月2日 1 30PM-2 30PM 小林オニキス氏とクリプトン佐々木渉氏によるトークセッション 7月3日 9 00PM-10 00PM MIKU DCD DANCEROIDのダンスコンペティション。 7月3日 5 45PM-8 45PM MIKUNOPOLISが応援するセッション「Mirai no Neiro」 ANIME EXPO 2011 ボーカロイドイベントまとめ DAY1 - 7/1 (金) OPセレモニー 9 00AM~10 30AM LP1 LACC Petree Hall Miku Keynote 2 45PM~3 45PM LP1 LACC Petree Hall MikuMikuDanceWorkshop 5 00PM~6 00PM WS2 LACC 501 ZANEEDS Dance DJ 11 00PM~12 00AM Club Nokia DAY2 - 7/2 (土) Miku Conference 1 30PM~2 30PM LP1 LACC Petree Hall Mikunoplois 8 30PM~10 00PM Nokia Theatre DAY3 - 7/3 (日) The Vocaloid Fan Phenomenon 4 15PM~5 15PM LP2 LACC 502 みらいのねいろ 第一部 5 45PM~7 15PM LP1 LACC Petree Hall みらいのねいろ 第二部 7 15PM~8 30PM LP1 LACC Petree Hall MikuDanceコンテスト 9 00PM~10 00PM WS1 LACC515B 黒崎真音 ミニコンサート 7/1(金) 11 15PM~12 00AM P1 LACC Petree Hall Kalafina ライブ 7/2(土) 5 00PM~6 30PM Club NOKIA 初音ミク Mikunoplis 7/2(土) 8 30PM~10 00PM NOKIA Theatre 黒崎真音 ライブ 7/3(日) 5 00PM~6 00PM Club NOKIA その他のイベント、詳細なタイムスケジュール表はこちらのPDFを参照してください http //www.anime-expo.org/programming/schedules/ ネット中継 Anime Expo 2011 ブースから生放送!米国最大のアニメイベント2日目 http //live.nicovideo.jp/watch/lv54095879 (3日目以降も中継あり) 暫定公式ツイッターアカウント:http //twitter.com/miku_la ツイッターハッシュタグ:#miku_la (ミクパタグを間違えて付けないようにw) ※タグ付きのツイートをそのまま公式RTすると検索時のノイズとなる場合もあるので気をつけて 公式の観覧ツアー(受付は6/13まで) Los Angeles AnimeExpo 2011と初音ミク コンサートに行こう!(株式会社ラテーザ) http //www.lattesa.co.jp/opera-tour.php?id=70 ネット中継 初音ミク「MIKUNOPOLIS in LOSANGELES」勝手に前夜祭!ライブメンバー、スタッフに密着取材 http //live.nicovideo.jp/watch/lv55151825 初音ミク「MIKUNOPOLIS in LOS ANGELES」生中継(有料ニコ生) http //blog.nicovideo.jp/niconews/2011/06/014173.html http //live.nicovideo.jp/watch/lv54164376 LAライブ現地参加者向け http //twitter.com/290cart (ミクノポリス実行委員会 F岡氏のアカウント、現地情報のツイートも) http //twitter.com/AnimeExpo (Anime Expo公式アカウント、ハッシュタグは#AX11) http //kamome.2ch.net/oversea/ (2ch海外旅行板) 本日のミクポリ実況スレは、なんでも実況U板にあります http //yuzuru.2ch.net/liveuranus/ 初音ミク「ミクノポリス in LA」実況スレ♪1 http //yuzuru.2ch.net/test/read.cgi/liveuranus/1309655672/ 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO 現地参加者の感想 誤訳御免Δ MIKUNOPOLIS 詳細紹介記事 (2人目の赤シャツ氏の紹介他) http //goyaku.blog45.fc2.com/blog-entry-401.html 初音ミク米国初コンサートの海外反応 http //japancool.sblo.jp/article/46529083.html Bunka Extended AX 2011 MIKUNOPOLIS in Los Angeles http //www.bunkaextend.com/ax2011_07.html USトヨタ役員とミクコラボ担当者ボブとのゆかいな会話 http //togetter.com/li/136798 MIKUNOPOLISの裏話 中の人1号さん かく語りき #miku_la http //togetter.com/li/159988 In the NHK TV of Japan, they published the [MIKUNOPOLIS in Los Angeles in 2011 ] to limited people for the BS TV. NHK TV is some kind of public TV. 音楽熱帯夜- 「MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです] Happy to meet you ! I'm HATSUNE MIKU」 初音ミク海外初公演 MIKUNOPOLIS 無事終了 [リンク集] http //kettya.com/backnumber/2011/netalog201107794723.htm このリンク集から各自に行き着く MIKUNOPOLIS ミクノポリス Q Aもどき http //kettya.com/backnumber/2011/netalog201107795003.htm 番組詳細182137 BSプレミアム 5月20日(日)~5月20日(日) 00 15~01 39(19日深夜) http //www.nhk.or.jp/bs/past/index.html?genre=9 There are button to press regarding evaluation of the [MIKUNOPOLIS in Los Angeles 2011]. If you are interested in [MIKUNOPOLIS in Los Angeles 2011], you may vote. [ヨカッタ] means good or very good [キニナル] means interesting The Making of MIKUNOPOLIS in Los Angeles July 2nd, 2011 http //www.youtube.com/watch?v=PZGlEBk_Ed0 中の人たちが語る 初音ミク全米デビューの興奮 http //weekly.ascii.jp/elem/000/000/048/48251/ supercell&初音ミク、Worldチャートで1位で思うこと http //kettya.com/backnumber/2011/netalog201106788801.htm 現地参加者の感想メモ一覧 Comments and reports of the peoples who went to the live event. ミクノポリス参加者の感想メモ http //anond.hatelabo.jp/20110705094529 初音ミクLA公演現地組の情報まとめ http //togetter.com/li/156564 初音ミク in LA、MIKUNOPOLISの感想まとめ http //togetter.com/li/157069 葱ワラ団 http //read2ch.net/streaming/1309499556/ デルタ航空欠航 2011年07月01日(金) 初音ミク ロサンゼルスコンサート 公式ツアー 出発便が欠航で 阿鼻叫喚 http //d.hatena.ne.jp/myu10/20110701#1309503312 初音ミク ロサンゼルスコンサート 公式ツアー 出発便が欠航 その後1 http //d.hatena.ne.jp/myu10/20110703#1309682330 初音ミク ロサンゼルスコンサート 公式ツアー AnimeExpo 2011 MIKUNOPOLIS 参加レポート http //d.hatena.ne.jp/myu10/20110706#1309947390 2011年07月06日(水) 初音ミク ロサンゼルスコンサート 公式ツアー AnimeExpo 2011 MIKUNOPOLIS 参加レポート http //d.hatena.ne.jp/myu10/20110706 Manga illustrated reports of AnnMelts P. who went to the MIku live event and ANIME EXPO in LA, USA. タイトル:Los AnnMelts ~僕の見たLAミクライブ&ANIME EXPO~ (LAミクライブ&ANIME EXPO体験記) Los Annmeltsまんが本 特設ページ http //www.gcmstyle.com/0/release/losannmelts/ 日本足止め編~:(デルタ欠航) http //www.gcmstyle.com/index.php?e=253 Los Annmelts 表紙の見本、脚本:アンメルツP 作画:涼 http //www.gcmstyle.com/0/release/losannmelts/cover_large.jpg 日本足止め編【まんがレポート】の見本サンプル、脚本:アンメルツP 作画:涼 http //www.gcmstyle.com/0/release/losannmelts/pre_sample2.jpg http //www.gcmstyle.com/0/release/losannmelts/sample2.jpg http //www.gcmstyle.com/0/release/losannmelts/sample3.jpg http //www.gcmstyle.com/0/release/losannmelts/sample4.jpg 販売先 トラの穴 http //www.toranoana.jp/mailorder/article/04/0030/01/44/040030014461.html (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 ライブ技術一覧/過去のライブの反省会等の一部 http //read2ch.net/streaming/1309499556/ EDIT Page If you do not know about editing web page of this Wiki, DO NOT EDIT. 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ATTO SECONDO 1 - Sinfonia SCENA I (Giardino. Achille.) Recitativo ▼ACHILLE▲ Deidamia qui veggo appressarsi, e un guerrier seco chi mai, qui non veduto ancor, fia questi? Oh quanto vago è quel bianco e tremulo cimiero su quel dorato elmetto! Ben se gli assetta il fino usbergo, e pende leggiadro inver dal poderoso fianco il brando decisor d impegni! In quella siepe ascondomi a udir quel ch ei favella. SCENA II (Ulisse e Deidamia, (Achille nascosto).) 2 - Recitativo ▼ULISSE▲ Esser non può mortale chi sia di te più bella. Se il perfido Troian, pria che a Micene, approdato qui fosse, d Elena la bellezza or non porrebbe la Grecia e l Asia in guerra. ▼DEIDAMIA▲ Dolce è ascoltar la meritata lode, ma questa tal non è venne al tuo labbro dal cor gentile e dal cortese sguardo. ▼ULISSE▲ Venne dal core, è vero dal cor che i primi tuoi sguardi vezzosi ferito han sì che risanarlo soli altri sguardi potran dolci amorosi. Non mi rispondi? e di vermiglia rosa spargi le guance dilicate? Un fido amor dettò quel ch ora il labbro dice. ▼DEIDAMIA▲ Risposta dar, qual brami, a me non lice. ▼ULISSE▲ Ma pria la speme da te sol dipende. Sdegnoso forse è il vago tuo rossore? Rispondimi. ▼DEIDAMIA▲ Non deggio. ▼ULISSE▲ T offende l amor mio? ▼DEIDAMIA▲ Lo penso onore. ▼ULISSE▲ Ahi che, sebben sincero, Antiloco ti spiace! ▼DEIDAMIA▲ Piace chi s ama, è vero; ma non s ama per questo ognun che piace. ▼ULISSE▲ Deh, un guardo alletti almen la mia speranza. Costanza e Amor vogliono pur ch io speri. ▼DEIDAMIA▲ Molto possono uniti Amor, Costanza. 3 - Aria ▼ULISSE▲ Un guardo solo, pupille amate conforto al duolo, deh, non negate ma un guardo, o care, in cui sfaville d Amor la face. Ogn altro sguardo che a me volgete è freddo, è tardo deh, mi rendete, pietose, vezzose, al cor la pace. Un guardo, (etc.) (Parte) Recitativo ▼DEIDAMIA▲ Oh che importuni affetti! Ma dov è il caro Achille? Son pur soletta e, com ei suol, non viene? Perché tal lontananza? ▼ACHILLE▲ Molto possono uniti Amor, Costanza. ▼DEIDAMIA▲ Quivi nascosto… ▼ACHILLE▲ Il tutto intesi. Oh quanto ti dilettaron di beltà le lodi, ti piacquero gli affetti ed i sospiri! Avresti fino al tramontar del giorno, s ei non partiva, udito il nuovo amante. ▼DEIDAMIA▲ Ma non doveva io già… ▼ACHILLE▲ Taci, incostante. Fremer lo sdegno io mi sentia nel core. ▼DEIDAMIA▲ Ma non t offesi, o caro. ▼ACHILLE▲ Non m offende il tu amor, lo penso onore. Quando ti cominciò parlar d affetto, compor di serietà dovevi il volto e dir parlami d altro, o non t ascolto. ▼DEIDAMIA▲ Rimproveri crudeli a un innocente. ▼ACHILLE▲ No, che non è fedele a un solo oggetto chi gli affetti e i sospir d un altro sente. ▼DEIDAMIA▲ Pace, bell idol mio sai che costante solo a te… ▼ACHILLE▲ Va , infedele, al nuovo amante. 4 - Aria ▼ACHILLE▲ Lasciami. Tu sei fedele? Vattene. Tu sei costante? Ah, lasciami, infedele, non posso amarti più. Scegliere vuò un altr oggetto, ardere d un altro affetto. Che potrai dir, crudele? Farò quel che fai tu. (Parte) 5 - Recitativo ▼DEIDAMIA▲ Se l ira del mio bene io non pensassi più dispetto d amor che vero sdegno, m opprimerebbe l alma aspro dolore. Ma pur ascolto, ahi lassa! le voci del timore. SCENA III (Nerea e detta.) Recitativo ▼NEREA▲ Il real Licomede, de prencipi a diporto, di caccia dilettosa ordin già diede; e vuol, qual è nostr uso, che con l altre donzelle ne siam le ninfe cacciatrici. ▼DEIDAMIA▲ Ahi lassa! ▼NEREA▲ Perché sospiri? ▼DEIDAMIA▲ Ah, che il secreto mio fidato al tuo bel cor viepiù s espone. Quello spirto, quel brio sveleran quel ch è Pirra e chi può mai distorla dal venir? ▼NEREA▲ Dianzi Fenice di beltà mi diè lode, e d affetti parlò. ▼DEIDAMIA▲ Lo stesso fece Antiloco ver me. ▼NEREA▲ Nostre lusinghe e quel di Pirra disprezzante orgoglio faran sì che terrem gl illustri amanti lunge da lei. Sappi aiutar la frode con finti guardi e docili maniere. ▼DEIDAMIA▲ L avviso sieguirò. ▼NEREA▲ Lungo sel gode chi maneggia con arte il suo piacere. 6 - Aria ▼NEREA▲ D amor ne primi istanti facili son gli amanti a farsi lusingar solo per vanità. Del merto lor l effetto credono quell affetto, e il vanto voglion dar più a sé che alla beltà. D’Amor, (etc.) (Parte) 7 - Recitativo ▼DEIDAMIA▲ Lusinghe allettatrici son queste sì, ma son lusinghe sole. Raro ben si rannoda laccio d amor che dallo sdegno è sciolto. Speme allettar mi vuole, e pur sol del timor le voci ascolto. Forse Achille ricopre di sdegnoso color nuovo pensiero d abbandonarmi. Oh dei, come viver potrò, se questo è vero! 8 - Aria ▼DEIDAMIA▲ Se l timore il ver mi dice, infelice abbandonata, sorte ingrata! io morirò. Ma, diletta a mia costanza la speranza a dir mi viene che l mio bene io placherò. Se ‘l timore, (etc.) (Parte) SCENA IV (Licomede, Ulisse.) Recitativo ▼LICOMEDE▲ Della caccia i diporti deliziosi ha il regno mio. La reggia siede a specchio dell onde, e quegli ameni campi e ombrosi colli le fanno verde anfiteatro intorno. ▼ULISSE▲ Degno regal riposo d inclito eroe che pien di gloria e d anni godesi un meritato almo soggiorno. 9 - Recitativo ▼LICOMEDE▲ In quelle piagge o in quelle annose selve sian oggi vostra dilettevol preda le fuggitive belve. M appagherò del sol racconto. Un tempo la corsa e il dardo erano i miei diletti, le fatiche più grate. Il piè non puote più il comando eseguir dei desir miei, ma in tranquilla vecchiezza ozio felice anche mi dan gli dei. 10 - Aria ▼LICOMEDE▲ Nel riposo e nel contento godo e sento lieve il peso dell età; e la vita mia contenta lieta e lenta alla meta se ne va. Nel riposo, (etc.) (Parte) SCENA V (I cacciatori e le cacciatrici appariscono.) 11 – Soli e Coro ULISSE e CORO di cacciatori Della guerra la caccia ha sembianza, sono scuola di Marte le selve v è coraggio, fatica e costanza in seguir e in combatter le belve. DEIDAMIA e CORO di cacciatrici E poi dopo l affanno e il diporto sono amor e riposo il conforto. ▼TUTTI▲ Della guerra (ecc.) (Partono) SCENA VI (Foresta. Siegue al coro una breve sinfonia di caccia. Fenice ed Ulisse, e poi Nerea.) Recitativo ▼FENICE▲ Inseguito da veltri, rapido cervo di ramose corna venir da lunge mira. Vanne a quel varco io resto, se il tratto manchi, ad aspettarlo in questo. ▼NEREA▲ Teco sarò, ma il primo colpo io bramo. ▼FENICE▲ Tuo, ninfa bella, siane pur l onore s è di tua mano il dardo come quei del tuo sguardo all alma mia, lanciato il colpo, inevitabil fia. ▼NEREA▲ Di gentil cortesia vago concetto, ma non di vero affetto! Forse qual d Argo alle beltà mi fai amorose parole e dolci vezzi, poi nel cor te ne ridi e mi disprezzi. 12 - Recitativo ▼FENICE▲ Dalle fiamme d amore libero fin che qui giunsi ebbi l seno, perché in Argo non vidi bellezza a quella ugual cui parlo e vedo. ▼NEREA▲ Men l eroe veggo in te che il cacciatore. Giunger la preda vuoi, per non curarne poi no, non ti credo. 13 - Aria ▼NEREA▲ Non ti credo, non mi fido maggior prova al ver si vuole. Non sospiri, non parole bastan l alma a incatenar. Lo concedo che un infido disinvolto è nel momento, ma, disciolto, suol qual vento col momento poi cangiar. Non ti credo, (etc.) (Parte) SCENA VII (Ulisse e detto.) 14 - Recitativo ▼ULISSE▲ Ninfa da noi non vista ancor, veloce seguia quel cervo, lo raggiunse, e il dardo ben d appresso vibrò, colpì, l estinse; poi rinselvossi, altro a inseguir. Fenice, credi tu sciolta d amoroso laccio Deidamia? ▼FENICE▲ Quell innocente aspetto tal idea ne comparte un arte è forse. ▼ULISSE▲ È certamente un arte. Presa è d amor. ▼FENICE▲ Chi è dunque l amato? Un di noi forse è quello. ▼ULISSE▲ No, ma il giovinetto Achille in vesta femminil. Quel colpo, al certo, lanciato fu da destra di viril forza, e nel ferir maestra. Va sull avviso, osserva i moti e i guardi. ▼FENICE▲ Oh quanto scaltro sei! Nella caccia, più che di fere, andrò d Achille in traccia. 15 - Aria ▼FENICE▲ Presso ad occhi esperti già ne misteri dell amor, sia guardingo amante cor che sue fiamme vuol celar. Quando sola è la beltà, l accarezzi e ammiri allor un sol guardo ed un rossor, un sospir le può svelar. Presso, (etc.) (Parte) SCENA VIII (Achille e detto.) 16 - Recitativo ▼ULISSE▲ Pochi momenti a me, ninfa vezzosa. ▼ACHILLE▲ La caccia forse non t aggrada? ▼ULISSE▲ Allettami la cacciatrice più. ▼ACHILLE▲ Dimmi, potrei saper chi più fra noi par bella agli occhi tuoi? ▼ULISSE▲ Quella tu sei. ▼ACHILLE▲ Parve a tutte però che Deidamia pria t accendesse il sen. ▼ULISSE▲ Te vista ancora io non avea. D amor nemica è quella tu nol sei forse, e forse ancor più bella. ▼ACHILLE▲ Valoroso e sagace, apposto in parte ti sei. Non son nemica io degli amanti, ma nemica d amor n amo il corteggio, ma impero sul mio cor mai non avranno. Spergiuri ed infedeli, vantan fede ed affetto sol per conquista del presente oggetto. Ma perdo il mio piacer. ▼ULISSE▲ Deh, più dimora spirto maggior del femminil costume scorgo in te… ▼ACHILLE▲ Scaltro sei ben conoscesti ch amo la lode, e lusingar mi sai. SCENA IX (Deidamia in disparte, e detti.) Recitativo ▼ULISSE▲ Ma più amar ben poss io. Deh, vezzoso idol mio, mia fé, mia destra accogli. Amor disciolta lasciar non può tanta beltà. Tu ridi? ▼ACHILLE▲ Rido di te Deidamia t ascolta. 17 - Aria ▼ULISSE▲ No, quella beltà non amo (Verso Deidamia.) che l amor mio sprezzò. Sì, bella, te sola io bramo (Ad Achille.) quel guardo mi piagò, e quel mi sanerà. A questa orgogliosetta, mio ben, non sii fedele esser ognor crudele solo t insegnerà. No, quella beltà, (etc.) (Parte) 18 - Recitativo ▼DEIDAMIA▲ Questa è la caccia ch ami tanto? Questo è seguirmi? Crudel, meco placato mi promettesti, ingrato, d evitar questi Greci che a tua ruina sol vennero. ▼ACHILLE▲ Cara, tralasciar non potei sì bel diletto d udir un saggio eroe serio amante m offrir fede ed affetto. ▼DEIDAMIA▲ Ti scopriranno alfine. Ah, che non m ami, quel ch io bramo non brami. Povera Deidamia, dove fondò gli affetti e le speranze! Misera e abbandonata alfin sarà. ▼ACHILLE▲ Anima mia, vano è il timore. 19 - Aria ▼DEIDAMIA▲ Va, va, perfido quel cor mi tradirà. Ah barbaro, no che non sei fedel, no che non m ami. Ahi, misera quest alma resterà, ma libera poi morte mi farà crudel, lo brami. Va, va perfido, (etc.) (Parte) 20 - Recitativo ▼ACHILLE▲ Placar tosto saprò la mia diletta. Cerva corrente vien voglio a quel varco lanciarle il dardo. SCENA X (Fenice e detto, e poi coro di cacciatori e Ninfe) Recitativo ▼FENICE▲ Aspetta. ▼ACHILLE▲ Deh, mi lascia. ▼FENICE▲ Deh, bella, t è più caro di belve far preda che d amanti? ▼ACHILLE▲ Sempre avvezza ai diporti delle selve, con amor libertà cangiar non bramo. ▼FENICE▲ T offro un alma costante e d Argo il soglio. ▼ACHILLE▲ Non mi mancan grandezze, e amor non voglio. 21 - Aria ▼ACHILLE▲ Sì m’appaga, sì m’alletta quella vaga collinetta più che tanti folli amanti o d un sol la fedeltà. Sprezzo Amore più mi piace timidetta seguir l’orma sì fugace, che le gioie più dilette ch’ei promette e poi non dà. Sì m’appaga, (etc.) (Parte) 22 - Recitativo ▼FENICE▲ No, che ninfa non è. Ma già finito è il diporto Sinfonia Breve con corni Al ritorno chiama già l oricalco i cacciatori. Miglior consiglio in corte condurrà nostro senno a lieto fine. Malgrado a sorte infida, molto s ottien quando prudenza è guida. CORO di cacciatori e ninfe L alto Giove al travaglio penoso per seguace il riposo formò, come appresso di Marte alla face e la gloria e la pace mandò. ATTO SECONDO 1 - Sinfonia SCENA I Giardino.Achille. Recitativo ACHILLE Deidamia qui veggo appressarsi, e un guerrier seco chi mai, qui non veduto ancor, fia questi? Oh quanto vago è quel bianco e tremulo cimiero su quel dorato elmetto! Ben se gli assetta il fino usbergo, e pende leggiadro inver dal poderoso fianco il brando decisor d impegni! In quella siepe ascondomi a udir quel ch ei favella. SCENA II Ulisse e Deidamia, (Achille nascosto). 2 - Recitativo ULISSE Esser non può mortale chi sia di te più bella. Se il perfido Troian, pria che a Micene, approdato qui fosse, d Elena la bellezza or non porrebbe la Grecia e l Asia in guerra. DEIDAMIA Dolce è ascoltar la meritata lode, ma questa tal non è venne al tuo labbro dal cor gentile e dal cortese sguardo. ULISSE Venne dal core, è vero dal cor che i primi tuoi sguardi vezzosi ferito han sì che risanarlo soli altri sguardi potran dolci amorosi. Non mi rispondi? e di vermiglia rosa spargi le guance dilicate? Un fido amor dettò quel ch ora il labbro dice. DEIDAMIA Risposta dar, qual brami, a me non lice. ULISSE Ma pria la speme da te sol dipende. Sdegnoso forse è il vago tuo rossore? Rispondimi. DEIDAMIA Non deggio. ULISSE T offende l amor mio? DEIDAMIA Lo penso onore. ULISSE Ahi che, sebben sincero, Antiloco ti spiace! DEIDAMIA Piace chi s ama, è vero; ma non s ama per questo ognun che piace. ULISSE Deh, un guardo alletti almen la mia speranza. Costanza e Amor vogliono pur ch io speri. DEIDAMIA Molto possono uniti Amor, Costanza. 3 - Aria ULISSE Un guardo solo, pupille amate conforto al duolo, deh, non negate ma un guardo, o care, in cui sfaville d Amor la face. Ogn altro sguardo che a me volgete è freddo, è tardo deh, mi rendete, pietose, vezzose, al cor la pace. Un guardo, etc. Parte Recitativo DEIDAMIA Oh che importuni affetti! Ma dov è il caro Achille? Son pur soletta e, com ei suol, non viene? Perché tal lontananza? ACHILLE Molto possono uniti Amor, Costanza. DEIDAMIA Quivi nascosto… ACHILLE Il tutto intesi. Oh quanto ti dilettaron di beltà le lodi, ti piacquero gli affetti ed i sospiri! Avresti fino al tramontar del giorno, s ei non partiva, udito il nuovo amante. DEIDAMIA Ma non doveva io già… ACHILLE Taci, incostante. Fremer lo sdegno io mi sentia nel core. DEIDAMIA Ma non t offesi, o caro. ACHILLE Non m offende il tu amor, lo penso onore. Quando ti cominciò parlar d affetto, compor di serietà dovevi il volto e dir parlami d altro, o non t ascolto. DEIDAMIA Rimproveri crudeli a un innocente. ACHILLE No, che non è fedele a un solo oggetto chi gli affetti e i sospir d un altro sente. DEIDAMIA Pace, bell idol mio sai che costante solo a te… ACHILLE Va , infedele, al nuovo amante. 4 - Aria ACHILLE Lasciami. Tu sei fedele? Vattene. Tu sei costante? Ah, lasciami, infedele, non posso amarti più. Scegliere vuò un altr oggetto, ardere d un altro affetto. Che potrai dir, crudele? Farò quel che fai tu. Parte 5 - Recitativo DEIDAMIA Se l ira del mio bene io non pensassi più dispetto d amor che vero sdegno, m opprimerebbe l alma aspro dolore. Ma pur ascolto, ahi lassa! le voci del timore. SCENA III Nerea e detta. Recitativo NEREA Il real Licomede, de prencipi a diporto, di caccia dilettosa ordin già diede; e vuol, qual è nostr uso, che con l altre donzelle ne siam le ninfe cacciatrici. DEIDAMIA Ahi lassa! NEREA Perché sospiri? DEIDAMIA Ah, che il secreto mio fidato al tuo bel cor viepiù s espone. Quello spirto, quel brio sveleran quel ch è Pirra e chi può mai distorla dal venir? NEREA Dianzi Fenice di beltà mi diè lode, e d affetti parlò. DEIDAMIA Lo stesso fece Antiloco ver me. NEREA Nostre lusinghe e quel di Pirra disprezzante orgoglio faran sì che terrem gl illustri amanti lunge da lei. Sappi aiutar la frode con finti guardi e docili maniere. DEIDAMIA L avviso sieguirò. NEREA Lungo sel gode chi maneggia con arte il suo piacere. 6 - Aria NEREA D amor ne primi istanti facili son gli amanti a farsi lusingar solo per vanità. Del merto lor l effetto credono quell affetto, e il vanto voglion dar più a sé che alla beltà. D’Amor, etc. Parte 7 - Recitativo DEIDAMIA Lusinghe allettatrici son queste sì, ma son lusinghe sole. Raro ben si rannoda laccio d amor che dallo sdegno è sciolto. Speme allettar mi vuole, e pur sol del timor le voci ascolto. Forse Achille ricopre di sdegnoso color nuovo pensiero d abbandonarmi. Oh dei, come viver potrò, se questo è vero! 8 - Aria DEIDAMIA Se l timore il ver mi dice, infelice abbandonata, sorte ingrata! io morirò. Ma, diletta a mia costanza la speranza a dir mi viene che l mio bene io placherò. Se ‘l timore, etc. Parte SCENA IV Licomede, Ulisse. Recitativo LICOMEDE Della caccia i diporti deliziosi ha il regno mio. La reggia siede a specchio dell onde, e quegli ameni campi e ombrosi colli le fanno verde anfiteatro intorno. ULISSE Degno regal riposo d inclito eroe che pien di gloria e d anni godesi un meritato almo soggiorno. 9 - Recitativo LICOMEDE In quelle piagge o in quelle annose selve sian oggi vostra dilettevol preda le fuggitive belve. M appagherò del sol racconto. Un tempo la corsa e il dardo erano i miei diletti, le fatiche più grate. Il piè non puote più il comando eseguir dei desir miei, ma in tranquilla vecchiezza ozio felice anche mi dan gli dei. 10 - Aria LICOMEDE Nel riposo e nel contento godo e sento lieve il peso dell età; e la vita mia contenta lieta e lenta alla meta se ne va. Nel riposo, etc. Parte SCENA V I cacciatori e le cacciatrici appariscono. 11 – Soli e Coro ULISSE e CORO di cacciatori Della guerra la caccia ha sembianza, sono scuola di Marte le selve v è coraggio, fatica e costanza in seguir e in combatter le belve. DEIDAMIA e CORO di cacciatrici E poi dopo l affanno e il diporto sono amor e riposo il conforto. TUTTI Della guerra ecc. Partono SCENA VI Foresta. Siegue al coro una breve sinfonia di caccia.Fenice ed Ulisse, e poi Nerea. Recitativo FENICE Inseguito da veltri, rapido cervo di ramose corna venir da lunge mira. Vanne a quel varco io resto, se il tratto manchi, ad aspettarlo in questo. NEREA Teco sarò, ma il primo colpo io bramo. FENICE Tuo, ninfa bella, siane pur l onore s è di tua mano il dardo come quei del tuo sguardo all alma mia, lanciato il colpo, inevitabil fia. NEREA Di gentil cortesia vago concetto, ma non di vero affetto! Forse qual d Argo alle beltà mi fai amorose parole e dolci vezzi, poi nel cor te ne ridi e mi disprezzi. 12 - Recitativo FENICE Dalle fiamme d amore libero fin che qui giunsi ebbi l seno, perché in Argo non vidi bellezza a quella ugual cui parlo e vedo. NEREA Men l eroe veggo in te che il cacciatore. Giunger la preda vuoi, per non curarne poi no, non ti credo. 13 - Aria NEREA Non ti credo, non mi fido maggior prova al ver si vuole. Non sospiri, non parole bastan l alma a incatenar. Lo concedo che un infido disinvolto è nel momento, ma, disciolto, suol qual vento col momento poi cangiar. Non ti credo, etc. Parte SCENA VII Ulisse e detto. 14 - Recitativo ULISSE Ninfa da noi non vista ancor, veloce seguia quel cervo, lo raggiunse, e il dardo ben d appresso vibrò, colpì, l estinse; poi rinselvossi, altro a inseguir. Fenice, credi tu sciolta d amoroso laccio Deidamia? FENICE Quell innocente aspetto tal idea ne comparte un arte è forse. ULISSE È certamente un arte. Presa è d amor. FENICE Chi è dunque l amato? Un di noi forse è quello. ULISSE No, ma il giovinetto Achille in vesta femminil. Quel colpo, al certo, lanciato fu da destra di viril forza, e nel ferir maestra. Va sull avviso, osserva i moti e i guardi. FENICE Oh quanto scaltro sei! Nella caccia, più che di fere, andrò d Achille in traccia. 15 - Aria FENICE Presso ad occhi esperti già ne misteri dell amor, sia guardingo amante cor che sue fiamme vuol celar. Quando sola è la beltà, l accarezzi e ammiri allor un sol guardo ed un rossor, un sospir le può svelar. Presso, etc. Parte SCENA VIII Achille e detto. 16 - Recitativo ULISSE Pochi momenti a me, ninfa vezzosa. ACHILLE La caccia forse non t aggrada? ULISSE Allettami la cacciatrice più. ACHILLE Dimmi, potrei saper chi più fra noi par bella agli occhi tuoi? ULISSE Quella tu sei. ACHILLE Parve a tutte però che Deidamia pria t accendesse il sen. ULISSE Te vista ancora io non avea. D amor nemica è quella tu nol sei forse, e forse ancor più bella. ACHILLE Valoroso e sagace, apposto in parte ti sei. Non son nemica io degli amanti, ma nemica d amor n amo il corteggio, ma impero sul mio cor mai non avranno. Spergiuri ed infedeli, vantan fede ed affetto sol per conquista del presente oggetto. Ma perdo il mio piacer. ULISSE Deh, più dimora spirto maggior del femminil costume scorgo in te… ACHILLE Scaltro sei ben conoscesti ch amo la lode, e lusingar mi sai. SCENA IX Deidamia in disparte, e detti. Recitativo ULISSE Ma più amar ben poss io. Deh, vezzoso idol mio, mia fé, mia destra accogli. Amor disciolta lasciar non può tanta beltà. Tu ridi? ACHILLE Rido di te Deidamia t ascolta. 17 - Aria ULISSE No, quella beltà non amo Verso Deidamia. che l amor mio sprezzò. Sì, bella, te sola io bramo Ad Achille. quel guardo mi piagò, e quel mi sanerà. A questa orgogliosetta, mio ben, non sii fedele esser ognor crudele solo t insegnerà. No, quella beltà, etc. Parte 18 - Recitativo DEIDAMIA Questa è la caccia ch ami tanto? Questo è seguirmi? Crudel, meco placato mi promettesti, ingrato, d evitar questi Greci che a tua ruina sol vennero. ACHILLE Cara, tralasciar non potei sì bel diletto d udir un saggio eroe serio amante m offrir fede ed affetto. DEIDAMIA Ti scopriranno alfine. Ah, che non m ami, quel ch io bramo non brami. Povera Deidamia, dove fondò gli affetti e le speranze! Misera e abbandonata alfin sarà. ACHILLE Anima mia, vano è il timore. 19 - Aria DEIDAMIA Va, va, perfido quel cor mi tradirà. Ah barbaro, no che non sei fedel, no che non m ami. Ahi, misera quest alma resterà, ma libera poi morte mi farà crudel, lo brami. Va, va perfido, etc. Parte 20 - Recitativo ACHILLE Placar tosto saprò la mia diletta. Cerva corrente vien voglio a quel varco lanciarle il dardo. SCENA X Fenice e detto, e poi coro di cacciatori e Ninfe Recitativo FENICE Aspetta. ACHILLE Deh, mi lascia. FENICE Deh, bella, t è più caro di belve far preda che d amanti? ACHILLE Sempre avvezza ai diporti delle selve, con amor libertà cangiar non bramo. FENICE T offro un alma costante e d Argo il soglio. ACHILLE Non mi mancan grandezze, e amor non voglio. 21 - Aria ACHILLE Sì m’appaga, sì m’alletta quella vaga collinetta più che tanti folli amanti o d un sol la fedeltà. Sprezzo Amore più mi piace timidetta seguir l’orma sì fugace, che le gioie più dilette ch’ei promette e poi non dà. Sì m’appaga, etc. Parte 22 - Recitativo FENICE No, che ninfa non è. Ma già finito è il diporto Sinfonia Breve con corni Al ritorno chiama già l oricalco i cacciatori. Miglior consiglio in corte condurrà nostro senno a lieto fine. Malgrado a sorte infida, molto s ottien quando prudenza è guida. CORO di cacciatori e ninfe L alto Giove al travaglio penoso per seguace il riposo formò, come appresso di Marte alla face e la gloria e la pace mandò. Handel,George Frideric/Deidamia/III
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beatmania IIDX 20 tricoro 機種:AC 発売元:コナミ 発売年:2012年 概要 beatmania IIDX 20作目 今作のテーマはトリコロール。 「LEGEND CROSS -tricoro RED ver-」・「Ω-ATTACK -tricoro BLUE ver-」・「ぼくらの宇宙戦争 -tricoro YELLOW ver-」という3つのイベントフェーズに分けられるのが特徴。REDとBLUEは2012年、YELLOWは2013年に開始。 (前作:beatmania IIDX 19 Lincle 次作:beatmania IIDX 21 SPADA) 収録曲 ジャンル 曲名 アーティスト 補足 順位 HARDCORE 405nm (Ryu☆mix) Another Infinity ELECTRO POP Ascalon Qrispy Joybox HARD DANCE BLUE STRAGGLER L.E.D. J-CORE Breaking Dawn feat. NO+CHIN, AYANO GUHROOVY LOUNGE POP connective 猫叉Master feat.*spiLa* PIECED ROCK Deceive Your Insight Project B- SYMPHONIC BREAK BEATS Devilz Staircase OSTER project HOUSE Echo Of Forever kors k TRANCE CORE FLOWER DJ YOSHITAKA HANDZ UP Fly you to the star Another Infinity feat. Mayumi Morinaga KONAMI REMIX GRADIUS 2012 Sota Fujimori NU RAVE Howling PON NEW 80'S I know You know Suke+Suke feat. Ribbon HYPER ELECTRO ILIAS Masayoshi Minoshima feat. 坂上なち ORBITALIC CORE Illegal Function Call U1-ASAMi HEAVENLY TRANCE In Heaven Sota Fujimori 2012年440位 TRANCE Liberation dj TAKA HAPPY HARDCORE Light and Cyber・・・ Tatsh J-CORE Little Star REDALiCE feat. Ayumi Nomiya NEO 80's EURO ELECTRO LUV CAN SAVE U HIDEKI NAGANUMA 2012年138位 TECH DANCE Neonlights DJ Noriken DRUM'N'BASS POINT ZERO 猫叉Master+ 2012年301位 ELECTRO portal 猫叉Master+ CLASSICAL PIANO Präludium Yuko Takahashi EMOTIONAL SENTENCE Re GENERATION TAG feat. ERi ELECTRO POP Shining World DJ Genki feat. Yukacco FRENCH HOUSE Spinning Around Dirty Androids EUROBEAT Take My Life Y Co. STARPOP To my star 星野奏子 DESERT ALTERNATIVE EDGE YELLOW FROG from Steel Chronicle 劇団レコード スティールクロニクルより DUB STEP ZED USAO 2012年180位 NEO CLASSICAL DANCE 下弦の月 iNO Hi-GOTH 狂イ咲ケ焔ノ華 覚醒ノPrim CYBER SYMPHONIC POP メイメツ、フラグメンツ 中山真斗(Elements Garden) feat. 桜川めぐ LEGEND CROSS -tricoro RED ver- LATIN EURO SYNC-ANTHEM Tatsh feat. 星野奏子 ROMANTIC SCHOOL VARIATIONS ΕΛΠΙΣ dj TAKA LOUNGECORE rumrum triplets yu_tokiwa.djw 2012年377位 DRUMSTEP S!ck Eagle HARD REVOLUTION CONCEPTUAL Sota Fujimori 2nd Season TRANSCENDENTAL ETUDES Thor's Hammer ユニバーサル度胸兄弟 HAPPY GABBA Plan 8 Ryu☆ TRANCE Time to Empress dj TAKA feat.wac secret K beatmania IIDX 16 EMPRESSより JAZZ HOUSE mnemoniq youhei shimizu beatmania IIDX 14 GOLDより Ω-ATTACK -tricoro BLUE ver- TECHNO 仮想空間の旅人たち DJ MURASAME CHIPTUNE 8bit Princess seiya-murai feat. ALT 2012年440位 歌謡 DRUM BASS トリカゴノ鳳凰 L.E.D. Vs. 幽閉サテライト ELECTRIC POP planarian S-C-U BREAKBEATS Tp-RZ CAPACITY GATE EPIC TECHNO 龍と少女とデコヒーレンス 黒猫ダンジョン HARD ELECTRONICA Proof of the existence 猫叉Master+ 2012年241位第2回アーケード114位 BOSSA ELECTRONICA Reflection Into the EDEN 猫叉Master beatmania IIDX 12 HAPPY SKYより PROGRESSIVE たまゆら 佐々木博史 beatmania IIDX 16 EMPRESSより ぼくらの宇宙戦争 -tricoro YELLOW ver- SPACY TRANCE BRAVE GLOW SOUND HOLIC feat. Nana Takahashi UNIVERSAL J-CORE VEGA REDALiCE 電波 カジノファイヤーことみちゃん ARM feat. 山本椛+Brasscapsule HARDCORE New Lights kors k CYBER PROGRESSIVE Fractal Sota Fujimori AKIBA-POP 即席!脳直★ミュージックシステム MOSAIC.WAV Hi-ν BLEEP キャトられ 恋はモ~モク ギュ~っとしたい Prim PROGRESSIVE TRIBAL Saturn Mr.Saturn Dance Dance Revolution SuperNOVAより BREAK CORE Cookie Bouquets L.E.D. vs TOMOSUKE fw.crimm REFLEC BEAT limelightより DRUM'N'BASS Rainbow after snow 猫叉Master feat.林ももこ 2013年307位 SPEEDCORE Beastie Starter GUHROOVY ZODIAC ORACLE 7 アストライアの双皿 ZODIACSYNDICATE Hi-CORE †渚の小悪魔ラヴリィ~レイディオ†(IIDX EDIT) 夏色ビキニのPrim CHRISTMAS SYMPHONY Holy Snow Mutsuhiko Izumi ESSENTIALLY True Blue dj TAKA feat.AiMEE HARD ELECTRIC POP Confiserie L.E.D. vs S-C-U CREATOR 創世ノート PON+wac LUCKY TECHNO ラキラキ Mutsuhiko Izumi S-C-U スウィートロニカ 晴天Bon Voyage TOMOSUKE × seiya-murai feat. ALT DRUM STEP Empathetic Sota÷Des ORBITALIC REVOLUTION Synergy For Angels TAG×U1-ASAMi SPEED DANCE GAIA 猫叉L.E.D.Master+ 2013年123位 LIGHT-VISUAL POP 虹色の花 Akhuta y OJ GRAVIOL STULTI MAX MAXIMIZER VS DJ TOTTO 2013年143位第2回アーケード210位 お米タル お米の美味しい炊き方、そしてお米を食べることによるその効果。 大日本鉄倶楽部【あさき&96】 2013年201位第2回アーケード210位 HARD RENAISSANCE Elemental Creation dj TAKA meets DJ YOSHITAKA HI-SPEED FANTASY TUNE SHION DJ YOSHITAKA 想歌 梅 梅雪夜 Qrispy Joybox feat. mao SILENT 音楽 弁士カンタビレオ VACATION DANCE examination leave dj razzle dazzle FASCINATION 朧 HHH×MM×ST TRANCE CORE VALLIS-NERIA DJ YOSHITAKA TOY CONTEMPORARY シュレーディンガーの猫 Cait Sith ART CORE Valanga DJ TOTTO サウンドトラック beatmania IIDX 20 tricoro ORIGINAL SOUNDTRACK Vol.1 [Soundtrack]
https://w.atwiki.jp/touhoukashi/pages/823.html
【登録タグ Alstroemeria Records Double Counterpoint I 坂上なち 曲 永夜の報い ~ Imperishable Night.】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/6573.html
【登録タグ A~YA D SOUND HOLIC SWING HOLIC VOL.04 メイドと血の懐中時計 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*